It is well known that there are types of the most eccentric museums: There are ancient art, modern art, rare art (called abstract) art not so beautiful, fossils, anthropology, archaeological remains, in many things, all deductibles, of course. But what would you think of the existence of a Museum of Toilets? ... Yes, we talk about an interesting collection of toilets.
This display of eccentricity in the India, A country where almost everything is allowed, meaning that what is most strange in the West, down south Asia will not cause any surprise. Moreover, it is quite natural, ask travelers who fell for the land, all avid hunters situations totally out of the ordinary.
But let's talk about this museum ... The Museum Sulabh Toilets toilets exhibits dating back over 2500 before the era of Christ (and to ask and find out where these physiological did needs residents of the old age).
Founded in 1994, Museum Sulabh International toilets, Headquartered in India's capital, New Delhi, Is considered the most interesting sample of the world on how this element has evolved today and always indispensable to the daily lives of human beings. So this museum really should be as old as the age of man on Earth and is more than likely never lose force.
As you can see from the items displayed, you can say that, aesthetically, the toilets have not evolved, but devolved because the decorations and paintings on the edges and spaces have disappeared only a dull color and tiles as material used in its making. The toilets of old age, when Indian culture in times of expansion of the Buddhist belief lived in parallel with the China of Confucius, was painstaking work touches ceramic painting that filled any gaps that can be appreciated. They could be considered works of art, it is understood that there are now museum pieces priceless.
In conclusion, they are objects that show no evolution of a culture or idiosyncrasy, but a change in every aspect and from that point in history. Not only is the story of the toilets but the change of aesthetic appreciation of a people ever more measured against the yardstick of Occidentalism.